As you might know, I photograph much more outside than inside. I usually like to go “out in the field”, witness, and record the subtleties of the world through my camera. Sometimes, though, the subtleties can’t be captured as they are because conditions of the field make it hard to take compelling photos. Conditions like wind can shake flowers that require a long exposure or tie a woman’s hair into knots. In the cases that field conditions would lessen photo quality, I’ve used studio environments.
Studio work can be defined as any type of photography that is done in a controlled setting. It can literally mean taking pictures in a studio, where you have lighting and backdrops amongst other equipment, or can mean your kitchen counter, where you have a tripod and plenty of available light.
This post is a taste of some of the shots I’ve taken in a studio environment.
First up is a series of shots I took of some beautiful orchids from my good friend’s wedding in May. She had these flowers placed at every table in the wedding reception. After the reception was over, her mom gave me a pot of these flowers to give to my mom. But… I got lazy and that never happened. I did get a chance to set up my camera and get some really close macro shots, though :).
Now the first thing you might ask when seeing these pictures is if these flowers’ colors are real. They were dyed teal and purple — a fantastic combo if you ask me. The color is not the only thing that made these flowers cool: to me its texturous petals and shiny stamens were really beautiful.
This first one focuses on the stamen, leaving the rest of the flower blurred out. To get really close for these shots, I used a 100mm macro lens with Kenko extension tubes
. I used a tripod and long exposures (generally about 2 seconds) for each of these shots. I also stopped down quite a bit (from f/5.6 to f/18) because depth of field is really short on a macro lens.

Orchid with stamen in focus (click for larger version or purchase)

Orchid with stamen in focus (click for larger version or purchase)

Orchid with petal in focus (click for larger version or purchase)

Orchid from another angle (click for larger version or purchase)

Orchid from yet another angle (click for larger version or purchase)

Fully focused orchid with a white background (click for larger version or purchase)

Stamen with carpels blurred out (click for larger version or purchase)
Cameras use long exposures to gradually pull light into its iris, building the photo slowly as the image is bounced back. The concept of “painting with light” involves directing light (like from a flashlight) onto a subject as the camera’s shutter remains opened. You control the light like a paintbrush, selectively highlighting areas you think will be interesting. When the camera’s shutter closes, it records the light you shined in the path you shined it. To do this, the camera’s aperature should stay relatively open so that it remains sensitive to the light you shine on the subject.
Using this concept, I “painted” light using a flashlight onto this statue’s eyes. leaving dark the rest of its face:

Painting with light (click for larger version or purchase)
Now I don’t want to leave you with the impression that I only shoot inanimate objects in the studio!!
During the studio lighting course, I also had a chance to photograph a model in the DC area. Also, last year I visited the DC Carriage House studio and a took a few of another DC model, Joy Hodges. Here is a couple from those shoots:

Joy Hodges
There are all sorts of different types of studio photography, some of which I’ve talked about here. It’s a different genre than most of my work, but a compelling one to me nonetheless. It’s in a studio where you can really “create” your own shot instead of “recording” what you see. It takes much more discipline and skill to master as well. I hope to do more studio work in the future, as my love affair with photography continues…